Best Reverb Pedals: Top 20 Reverb Pedals + Buyers Guide!

Best Reverb Pedals


Discovering an excellent reverb pedal could be complicated since there are so many sorts – room, hall, spring, analog, digital, and a lot more. However, we cut through the middle to search out the most effective choices you can buy.

In this guide, we’ve reviewed the finest reverb pedals out there today. We examined quite a lot of reverb pedals to reach this record with the intention to keep away from any confusion and make a knowledgeable choice. These effect pedals are a necessity for every guitar player.

In our checks, we used the identical gear for all of the pedals to maintain things as constant as possible. We examined the reverb pedals with all their presets and modes; we additionally compared related reverb modes side-by-side for sound high quality. We judged them primarily based on their reverb sound, versatility, ease of use, and construct quality.

You’re in luck, as we’ve got compiled an inventory of our favorite picks that will help you pick one of the best reverb pedals no matter what style or price range you’re working with.

We just want to let you know that we’ll list these best reverb pedals reviews in no particular order. They’ll be randomized as we don’t wish to sort them from best to worst.

Listed below are our Top 20 Best Intermediate Ukulele for 2023:

1. Fender Marine Layer Reverb

The Fender Marine Layer is undoubtedly one of the vital detailed reverb pedals on our list, with a singular mix of high-quality processing potentialities. Whether or not you wish to drench your guitar in ambient reflection or add body to the sound, this pedal can do all of it.

Hall, room, and shimmer reverb settings form the inspiration of this pedal. The hall variation can be utilized to create dramatic, resonant effects good for textural guitar tracks.

The room setting is best suited to beefing up your tone and making an extra full-bodied sound. The shimmer reverb is nice for including color in your melodies and sounds particularly good when performed within the higher octaves.

Made out of lightweight but sturdy anodized aluminum, the Marine Layer Reverb is constructed to the extent that you’d anticipate from a Fender product. It may be powered both by a 9-volt energy supply, or a 9-volt battery.

The battery door is magnetically latched and opens hinges, minimizing the chance of damaging the pedal if you have to rapidly swap the batteries for new ones. There’s additionally a pair of LED-backlit lights so you’ll be able to clearly see the standing of the pedal in a darkened practice room or stage.

Fender Marine Layer Reverb

  • Controls: Reverb Time, Damping, Pre Delay, Effect Level
  • Type Toggle (Hall / Room / Special)
  • Filter Toggle (On / Off)
  • Effect Mute Footswitch

2. BOSS RV-6

Becoming into Boss’ famed compact type factor, the RV-6 gives an enormous variety of options for its dimension and value. Much like the Oceans 12, it’s filled with an enormous variety of core sounds, from spring and plate emulation to modulated and shimmer reverbs. These sounds can be tweaked through stage and tone controls, which is nice in the event you simply need a wide range of sounds straight out of the box.

The RV-6 should also pique the curiosity of wet and dry signals fans for 2 reasons. Firstly, the pedal stays fully analog dry-through, so no phase issues ought to come up in case you’re utilizing two amps. And secondly, through the use of simply the ‘B’ input, the pedal outputs a 100 percent wet reverb signal, which means it might slot happily into extra complicated rigs.

The fun began after we got the chance to plug in our electric guitar and listen to this factor in action. We had been blown away by how good the RV-6 sounds. All eight reverb modes are superb and have their place.

Our favorites are positively Modulate and Shimmer, which are an ideal match for extra ambient/atmospheric/spacey functions. The +Delay mode is fun too because it combines reverb and delay (though truth be told we want a devoted delay pedal).


  • Built with rich, dense sound
  • 8 Sound modes
  • Expression pedal input
  • Controller: E.LEVEL, Tone, Time, Fashion, Pedal Switch

3. TC Electronic Hall of Fame 2

The sequel to TC’s best-selling Hall Of Fame takes the profitable system – which spans the everyday spring, plate, church settings, plus mod and lo-fi sounds – and provides a number of extras.

In addition to a polyphonic shimmer mode, the HOF2 boasts TC’s pressure-sensitive MASH expertise, which lets you alter the depth of the reverb relying on how hard you push on the footswitch.

Three slots are onboard to retailer TonePrint presets, too – you need to use TC’s computer or app-based editor to create your personal sounds, in addition, to obtaining artist presets.

In this red box, you get a full variety of sounds, all the way in which from the usual hall, spring, and plate emulations to modulated, lo-fi, and customarily extra ambient tones. These 10 sounds are adjusted by decay and tone knobs, in addition to a small toggle switch for a protracted or quick pre-delay.

Just like the RV-6, the Hall Of Fame is a good possibility for players who simply need a variety of sounds and a primary degree of tweaking. For extra superior players, there’s the choice to import algorithms through TC Electronic’s TonePrint tech.

TC Electronic Hall of Fame 2

  • Controls: Decay – Tone – Level – Mode
  • Foot switch: On/Off/Expression
  • Power consumption: 100 mA
  • True bypass

4. Electro-Harmonix Holy Grail Nano

This reverb pedal has three distinct reverb kinds. The spring reverb type it has will take you to the old times and leave you mesmerized. Subsequent in line is the hall reverb, which can be fairly detailed, as is the ultimate reverb style. With true bypass capabilities, there’s no hazard of your tone suffering when the pedal is turned off.

The design of the Electro-Harmonix Holy Grail Nano Reverb Pedal is so compact that it is hard to consider it might probably deliver such a spacious hall reverb. Plus, the Flerb that you simply get can be top of the range.

In case you’re the type of guitarist who doesn’t need to spend useful time organizing the assorted controls on an effects pedal, the minimalist design of the Electro Harmonix Holy Grail Nano will suit you well. Its small dimensions make it straightforward to place on a busy pedalboard too.

Nonetheless, the Electro Harmonix Holy Grail Nano justifies its price ticket by producing tones of pristine high quality. In actuality, there are nonetheless a very good variety of choices offered by the trio of reverb settings and the management knob, so don’t be put off by the primitive design

Electro-Harmonix Holy Grail Nano

  • 3 Effect modes: spring, reverb & flerb
  • Switch: Mode: Spring/Hall/Flerb
  • Footswitch: Effect Bypass
  • LED: Effect On

5. Fender Tre-Verb

For a lot of players of an older-school persuasion, reverb peaked with Fender’s ’60s tube amps, and people’s iconic sounds are precisely what the guitar giant got down to capture with this vintage-voiced pedal.

In total there are six parameters on the Tre-Verb pedal. Firstly, you’ve level and tone controls that can be utilized to form the foundations of the effects. On the underside row of knobs, there’s rate management that adjusts the tremolo velocity.

Then you have the depth and mix controls which ensure that the chosen effect interacts properly along with your guitar’s clear tone. Lastly, there’s the dwell parameter which principally decides how lengthy the reverb sticks around after you’ve performed a note.

Reverbs embrace a ’63 ‘brownface’ reverb tank, ’65 ‘blackface’ reverb tank, and a studio-style plate reverb emulation, with spectacular accuracy, whereas the optical, bias, and harmonic tremolos do an excellent approximation of those basic effects, too.

Naturally, this isn’t the place to search for grand, soundscaping reverbs, but in the event you’re after classic amp effects in a single box, this can be a properly priced offering from the brand behind the unique sounds.

Fender Tre-Verb

  • Controls: Wave, Rate, Depth, Blend, Dwell, Tone
  • Tremolo Varieties (Opto, Bias, Harmonic)
  • Footswitch: Tremolo / Reverb
  • Tap Tempo for Tremolo Rate

6. MXR M300

It took MXR some time to come out with a reverb pedal, but it surely was definitely worth the wait and absolutely deserves to be in this best reverb pedals guide. The MXR M300 reverb is a compact, low-noise unit constructed with the standard MXR consideration to element.

The straightforward structure features simply three knobs – Decay, Mix, and Tone – with the last of these additionally employed to cycle by the pedal’s six verbs: Plate, Spring, Epic, Mod, Room, and Pad.

There’s additionally a hi-fi analog dry path with 20 volts of headroom and an Exp jack that makes it potential to attach an expression pedal and mix between two totally different setting configurations.

A reverb trail bypass mode – a very cool function – permits the reverb effect to fade out if you change the pedal off, as an alternative to cutting off the effect abruptly. Smart, easy, and great-sounding, the M300 is a great reverb pedal indeed.

The spring, room, and plate settings are nice for dialing in your traditional, texture-adding ‘on a regular basis’ reverbs, and the pad setting conjures up dreamy and ambient, nearly synth-like sounds. Probably the greatest reverb pedals for individuals who need a number of high-quality reverb

MXR M300

  • Digital reverb with 6 modes
  • Controller for Tone, Decay and Mix
  • Internal Mono-stereo switch
  • True Bypass and optional Trails bypass

7. Behringer DR600

Behringer has been manufacturing state-of-the-art audio solutions for many years. The corporate is rated fairly highly in the eyes of audio professionals and audio technicians worldwide. Its constant quality has gained lifelong followers.

The Behringer DR600 Digital Reverb Effects Pedal is one other superb product at an amazingly low worth point. This stereo reverb pedal is the primary alternative for many musicians. It is a 24-bit high-resolution reverb pedal that in-house the six most desired reverb types, together with a modulated reverb sound.

Not only do you get entry to all of those reverb settings, but there are additionally a number of different useful parameters that present much more flexibility. The dedicated mode, time, tone, and level controls can be utilized to precisely create the pedal’s sound to make sure that it interacts along with your clear reverb tones in essentially the most efficient manner.

There’s additionally a status LED that signifies whether or not the pedal is on or off – significantly helpful for those who’re playing on a dimly lit stage. The DR600 has a first-class digital reverbs on/off switch which maintains the very best possible signal integrity in bypass mode so that you don’t have to fret about your tone being adversely affected when the pedal is not in use.

Behringer DR600

  • 24-bit High-resolution stereo reverbs
  • Including Spring, Plate, Reverb, Gate, Room and Modulate sounds
  • Controller for Mode, Time, Tone and Level
  • Powered by 9V battery or 9V / DC power supply (not included)

8. EarthQuaker Devices Afterneath

The most recent model of EQD’s Afterneath makes use of a tried and examined digital reverb algorithm that’s chock stuffed with ethereal spaciness and pitch-shifting oddness – however with just a few extra additions.

The pedal’s massive selling level is the interplay between the Mode management and the Drag management, with the previous adjusting the latter’s habits. The Drag management, now adjustable through an expression pedal, sweeps your reverb path up through a certain set of pitches. The Mode management introduces various amounts of quantization, which means you may have fully clean drifting everywhere or some arpeggiation locked to a certain scale.

It’s no peculiar reverb sound, however, a wholesome quantity of controls means you may tame things before your pitch-shifted trails fully eclipse your playing. And if that’s exactly what you need, there’s a likelihood you’ve already put the Afterneath V3 in a cart by this point.

That is undoubtedly a pedal for getting weird within the studio, and it’s so a lot of fun. Even with a heavy wet reverb mix, the unique guitar tone stays vivid and clear. For all of the textures the Afterneath affords, it’s remarkably attentive to picking dynamics. Simply selecting totally different pickups actually altered the sound to a noteworthy level.

EarthQuaker Devices Afterneath

  • Controls for Length, Diffuse, Dampen, Reflect, Drag and Mix
  • Bypass footswitch
  • Status LED
  • True bypass

9. Zoom MS-70CDR

Zoom’s MS-70CDR is a unique multi-effects pedal that mixes reverb with delay and chorus. Consider it as a rack-mounted multi-effects unit contained in a stompbox housing. With a large 86 guitar and bass effects to select from, this intensive pedal is nice worth for cash.

The reverb settings are enhanced by this pedal’s state-of-the-art DSP microchip which offers 32-bit floating-point calculations, so it could possibly produce 25 studio-worthy reverbs. With a combination of hall, arena, plate, and spring choices, you’ll be able to create spatial guitar layers with ease.

One other factor worth mentioning about this Zoom pedal is that it presents a number of classic reverb emulations too. Legendary pedals just like the TC Electronix Hall of Fame and the Digitech RV-7 are recreated throughout the MS-70DCR.

On top of this intensive range of reverbs, you additionally get 31 individual chorus and modulation effects to select from. There’s every little thing from phasers to flangers to analog chorus emulators. You may even add auto panning to your guitar with this pedal!

Remarkably, along with the 25 reverb and 31 chorus settings, this Zoom multi-effects pedal additionally presents 26 mono and stereo delays. The utmost delay time stretches to four seconds, so you’ll be able to create ambient guitar tracks and change between delay and reverb in real-time.

Zoom MS-70CDR

  • For electric guitars, acoustic guitars and bass guitars
  • 86 Effect types from Chorus, Delay and Reverb spheres/types
  • Up to 6 effects at the same time
  • Integrated chromatic tuner

10. Electro Harmonix Oceans 11

The Electro Harmonix Oceans 11 is an extremely versatile pedal that goes far past the 11 modes you see on its interface. In our exams, we had been capable of finding numerous fascinating features amongst explicit settings that aren’t obvious at first look.

The controls on the Oceans 11 look like the same as different reverb pedals, with three knobs for controlling the level, tone, and decay of the reverb and one knob for the 11 totally different modes. The pedal features traditional reverbs like Hall, Plate, Spring, Mod (modulation), Echo, and Shimmer. We additionally liked trying out the extra distinctive inclusions such as the Reverse, Trem, Dynamic, Poly, and Auto-Infinity modes.

We felt the design of the Oceans 11 is spectacular with the black aluminum body, the white knobs, and the central mode button. The required 9 Volt DC power supply comes with this pretty compact pedal and it ought to match any normal pedalboard. But it surely’s not suitable with batteries.

Total, this reverb pedal packs lots of energy, and there’s a giant tonal playground here – all of the modes and options have distinctive additions that boost your tone.

Electro Harmonix Oceans 11

  • Controls: EFX Level – Time – Tone
  • Mode switch
  • Reverb Type Switch
  • Effect bypass

11. Eventide Space

Eventide’s Space boasts all kinds of spatial effects, together with primary reverbs, delays, and distinctive combination effects, with 12 of the brand studio-level reverb combo algorithms. You will be able to find the regular Room, Plate, Spring, Hall, Reverse, Shimmer, ModEchoVerb, DualVerb, Blackhole, MangledVerb, TremoloVerb, and DynaVerb – on board.

There are additionally more than 100 factory presets, guitar and line-level in/out, MIDI management through USB or MIDI in, real-time management with 10 knobs, MIDI or an expression pedal, tap tempo, and MIDI clock sync, mono and stereo operation, and far, far more.

And whereas Space doesn’t come low-cost relative to different pedals, the unit can readily do the job of more expensive rackmount processors, making it an extremely helpful stage and studio instrument.

If you want a stompbox for reverb and different ambient sounds and effects, we discovered that the Space is essentially the most complete around and if in case you have a home studio, you may get tons more out of this in stereo.

To place it in context, slightly then compare the asking value to different stompboxes, suppose instead of how much a rackmount reverb processor or the highest quality plug-ins cost, and immediately it does not appear that bad a deal, particularly when Space sounds so good.

Eventide Space

  • Mono / stereo input and output
  • Connection for expression pedal
  • Switchable guitar / line level
  • Switchable amp / line level

12. Walrus Audio Slo Multi Texture

The compact Walrus Audio Slo has three completely different reverb algorithms, every designed to create an individual texture with the choice of integrating modulation into the wash of reverb.

We discovered the primary controls to be properly laid out and simply operated, however, you must hold a footswitch all the way down to access some secondary capabilities equivalent to selecting the modulation shape.

This pedal sits in between a compact stompbox providing easy spring emulation and a jack-of-all-trades pedal providing multiple. It’s the best choice for players who crave the power to inject some deep atmosphere into their signal chain without taking over a great deal of room on their board.

You will have access to 2 completely different switching modes with the Walrus Audio Slo pedal. Merely urgent the Bypass switch toggles the reverb on and off, whereas pressing and holding the switch generates a burst of reverb till you release the switch once more.

Pressing the Sustain change whereas the reverb is engaged will ramp up the decay all the way and reduces it back to the quantity set by the Decay knob if you release the Sustain switch. And for optimum flexibility, you’ll be able to select whether Slo cuts out the reverb immediately or permits it to decay naturally after you hit Bypass.

Walrus Audio Slo Multi Texture

  • Three selectable reverb modes: Dark, Rise, Dream
  • Dark: Reverb with low octave
  • Rise: Spatial, swelling reverberation
  • Dream: Long, flat reverberation with vibrato

13. Donner Digital Reverb

With their digital reverb pedal, Donner has confirmed that you just don’t need to spend a small fortune to get a spread of authentic-sounding reverbs. With a digital circuit design and all kinds of effects, this pedal provides character to the clear tone of your guitar.

There are a total of seven reverb settings that may be toggled by utilizing the big knob within the middle of the pedal. These settings embrace your customary varieties similar to room and hall, with more excessive types of reverb like church, plate, spring, and modulated rounding off the choice.

In terms of function parameters, you may customize the reverb presets utilizing the e-level, decay, and tone controls. Though this pedal is minute in dimension, it supplies an in-depth variety of sound sculpting prospects.

Moreover, the Donner Reverb pedal additionally has a visual LED on/off light and true bypass capabilities so your tone won’t be compromised when the pedal isn’t in use. General this compact possibility can be a useful addition to your pedalboard, and it’s so small that you just won’t even notice it’s there!

Donner Digital Reverb

  • Room, Hall, Church, Spring, Plate, Studio and Mod
  • DC 9V Adapter power supply is not included.
  • Whole Aluminium-alloy classic
  • Digital circuit design

14. JOYO Vision

The JOYO Vision is more than only a reverb pedal. Granted, it does produce clean-sounding kinds of reverb however there are additionally an extra 17 effects constructed into this pedal.

You get 2 varieties of modulation that are built-in A and B channels, with plenty of controls out there to mix the effects along with your dry signal. Each of the modulation channels can be managed with the depth, velocity, and control parameters both as a standalone effect or together with different effects.

Let’s take a more in-depth take look at the individual effects this pedal has to supply. Together with reverb, on Channel A you get phase, chorus, and flangers which might add a psych-rock feel to your guitar tone.

There’s additionally a warm-sounding tremolo preset which can be utilized at totally different speeds to suit the tempo of a tune. On Channel B there are some extra experimental effects, primarily based on filters and dynamic processing. Wah, low-bit and vibrato are only a few of the effects on this channel.

One other high-quality worth mentioning concerning the JOYO Vision pedal is the Sync characteristic, which when hooked up to a footswitch can be utilized to tap out the tempo of your tune in order that the chosen effect seamlessly blends with the remainder of your band or backing track.

JOYO Vision

  • Controller Mode A: Speed, Control, Depth / Mix
  • Controller Mode B: Rate, Control, Depth / Mix
  • Switch for parallel and serial chain
  • True bypass

15. NUX Atlantic

The high quality of NUX pedals has improved tremendously over the previous few years. With their Atlantic pedal, they’ve blended arguably two of essentially the most popularly used effects – delay and reverb.

The gorgeous factor about combining these two effects is that they each complement one another so nicely. Including a touch of reverb to your delay can actually remodel the general feel of your guitar.

The NUX Atlantic is designed in an easy and concise method. On the left of the pedal, you could have the entire main delay controls and a smart tap footswitch to activate the chosen effect or tap the tempo out. On the right-hand side, you have got the entire reverb controls, and the footswitch is devoted to making a shimmering effect once you hold it down.

Though that is very much a digital pedal, it nonetheless pays homage to the classic delays which so many guitarists crave.

Adjacent to the delay stage control, there’s a small switch with three settings 60s tape, 70s analog, and 80s digital. When you’ve selected the period you wish to replicate, you may then tweak the output utilizing the level, time, and repeat parameters.

NUX Atlantic

  • 70’s Analog, 60’s Tape and 80’s Digital
  • Spring, Plate and Hall
  • Inside routing-control
  • Input Level toggle switch, +4 dB / -10 dB

16. Valeton Coral Verb IIC

The small Coral Verb II pedal by Valeton offers you 16 particularly chosen reverb algorithms in a compact stompbox. This inexpensive pedal is stuffed with processing capabilities. There’s a pair of spring reverb settings, one with a barely darker tone than the other. There are additionally two plate reverbs, which each produce a genuine metallic shine.

Then you definitely get two variations of hall and church reverbs which add ambiance to your tone, without making it too muddy. Moreover, there may be a variety of extra experimental reverb settings like modulated, cloud, galaxy, undersea, and sweep.

To toggle through the 16 reverb variations you merely rotate the massive management knob in the middle of the pedal. Positioned above the principle knob are three controls – decay, tone, and mix.

The decay controls how long the reverb stays after a note has been performed, the tone controls the color and brightness of the reverb, and the combination offers you a straightforward manner to add or take away some of the effects.

To activate the trail effect you merely hold down the footswitch, in order that the reverb doesn’t cut out abruptly when the pedal is bypassed. There’s additionally an LED light which makes it simple to see if the pedal is on or off.

Valeton Coral Verb IIC

  • 16 Carefully selected Reverb Algorithms
  • Switchable Reverb Tail function
  • Working with 9V Center Negative Regular Pedal Power Supply(Not Incl)
  • Special Design Buffer Bypass Circuit Keeps the Sound Pristine

17. DigiTech Polara

The DigiTech Polara Reverb Pedal is DigiTech’s replacement for their RV-7 HardWire reverb, which in itself was already an amazing worth for the cash. With the Polara, it will get even better. One of many big reasons why is that Harman, the corporate that owns DigiTech, additionally owns Lexicon, who are legends in reverb.

This pedal has access to each company’s know-how, which mixes to create a mashup of Reverb awesomeness. Good move for Harman, because it brings together two of their brand’s experiences and the whole is certainly greater than the sum of its elements, in this instance.

The DigiTech Polara appears fairly putting, with its distinctive art and nouveau fashion graphics. Sadly, we’ve been in a position to verify a number of owners’ complaints about not with the ability to read the knobs, for the reason that graphics make the already small text even tougher to see. Talking of knobs, there are not any massive surprises with the Polara.

Level adjusts the wet/dry mixture, Liveliness controls the brightness of the verb, Decay is how lengthy the reverb tail continues, and the fourth knob lets you choose between seven kinds of Reverb.

All the standard reverb suspects can be found together with Room, Plate, Hall, and Spring, and a few fancier, extra excessive verbs just like the very distinctive Halo setting. The TAILS toggle switch may be very cool because it permits you to control what occurs to the reverb tails once you switch the pedal off.

DigiTech Polara

  • Room, Plate, Reverse, Modulated, Halo, Hall and Spring
  • High-Voltage operation for uncompromised signal quality
  • Custom-cut Hook and Loop Pedalboard Pad
  • True Stereo I/O

18. VSN Ocean Verb

The Ocean Verb is made with effectivity in thoughts. This tiny stompbox has only the mandatory controls with no filler taking over space. It’s not flashy, however, so far as budget choices go, it does all the pieces that you’d need from a reverb pedal.

This 24-bit high-resolution pedal is home to a few reverb varieties. Firstly, you might have the room preset which produces a decent and warm reverb so as to add thickness to your guitar. Then there’s the spring setting which does an excellent job at reproducing real spring reverb that you’d discover in a high-end tube amplifier.

Lastly, there’s the intriguing shimmer preset. We’re at all times are a bit skeptical of shimmer reverbs, as they will sound overly processed typically, however, VSN has managed to create one which sounds elegant and pure.

Together with the three individual reverb settings, there’s additionally a toggle switch positioned within the high middle of the pedal. This switch means that you can rapidly bounce between dedicated mode, normal mode, and fixed mode. Each of those presets acts like a filter, emphasizing certain frequency ranges and points of your chosen reverb setting.

Guitarists who don’t need a lot of controls would like a minimalist pedal that performs the entire essential capabilities with efficiency.

VSN Ocean Verb

  • True bypass
  • Made of high-quality zinc alloy
  • Expression pedal input
  • Compact size digital reverb effect pedal

19. Electro-Harmonix Cathedral

Probably the most detailed pedal that we’ve reviewed in this article, the Cathedral offers you a complete of 8 distinctive reverb variations, 6 management parameters, and two footswitches. It’s a daring pedal that’s designed to be seen and to be a principal element of your pedalboard.

The eight reverb settings that you just get with this pedal range from spring, hall, and room to reverse, plate, and echo. It’s able to produce understated touches of reverb or excessive trippy tones which can be excellent for creating thick soundscapes on stage.

You may tweak the wet/dry settings of the pedal with the mix management, shorten or lengthen the tail of the effect utilizing the reverb time management, or produce a number of echoes just like the effect produced in a protracted tunnel by adjusting the feedback knob controls.

The Electro Harmonix Cathedral pedal is intimidating in its looks and features. In case you value simplicity then look elsewhere, however alternatively, in case you enjoy playing around with effects and creating unique sounds, then there are few better choices than this pedal.

The Cathedral is the kind of pedal that turns into the centerpiece of a guitarist’s pedalboard, because of the in-depth variety of tone-crafting prospects it reveals to you.

Electro-Harmonix Cathedral - best reverb pedals

  • 24 bit AD and DA converters
  • True stereo inputs and outputs
  • Tap Tempo to set pre-delay section
  • Damping/Tone control available for each reverb mode

20. Caline Snake Bite

The Caline Snake Bite is an ambient reverb pedal that provides digital, analog, and tape delays. Housed in a basic mini stompbox pedal, the Snake Bite is sturdy and enough to face up to the trials of touring and practicing.

With six control knobs, you get full management over the character of your chosen reverb setting. Within the top left-hand corner of the pedal, there’s the RES management which can be utilized to regulate the amount of reverb present in your guitar. Then there’s the CFR knob which constructs the tone of the effect positioned subsequent to the LPF knob which provides or removes warmth.

On the underside row of controls, you could have the PRD knob which is used to set the delay time, the Mix knob which boosts the presence, and at last, on the right side, you could have a reverb decay knob which units the size of the reverb.

The Caline Snake Bite additionally comes with a true bypass, so tonal preservation is assured. For the value, this can be a worthy addition to your rig due to the in-depth management you recover from the reverberation settings.

The Caline Snake Bite is a great medium between fundamental reverb pedals and the costlier, control-heavy pedals on this checklist. If you want full control over the traits of the effect without having to spend some huge cash, this pedal is likely to be the best alternative for you.

Caline Snake Bite

  • Digital, analog and tape delay types
  • Controls for time, repeat and level
  • True Bypass foot switch
  • Power supply:9V AC adapter

Frequently Asked Questions

Q: Are digital reverb pedals good?

A: Yeah, reverb is strictly a digital effect. Reverb is the sound of an area, so apart from weird mechanical stuff like spring or plate, analog reverb is a giant old room.

A big factor to bear in mind about analog vs digital is that it is not that analog is best, it is normally that analog effects (a minimum of so far as modulation goes) sound much less “pristine” than digital ones, so digital can sound harsh until the sound is further processed.

There may also be artifacts if the analog/digital conversion is not achieved right. However many digital pedals have an analog dry signal, so solely the affected sound is digital, so if the effect sounds good, then it is okay.

Q: Are all reverb pedals the same?

A: Similar to delay, there are fairly a few various kinds of reverb – particularly once they’re combined with effects. The principal forms of reverb worth thinking about are Hall, Plate, Room & Spring.

Spring reverb is where an extended steel spring vibrates and a pickup captures that vibration. It has a really distinctive sound and in case you shake the spring reverb device you may often hear the steel spring shaking.

Some amps (particularly classic amps) have built-in spring reverbs whereas today it’s often emulated digitally (it’s not very sensible to have an actual spring reverb pedal in most pedalboards!).

Plate reverb is just like spring reverb with the primary distinction in that it uses a sheet of steel as an alternative to spring. The sheet vibrates from a transducer and a pickup captures that vibration. Hall and room reverb emulate what you naturally hear in massive empty rooms or halls.

Most pedals that supply room or hall reverb allow you to manage the scale of the room to attain something from a small refined effect all the way to an enormous church-like reverb.

Q: Is amp reverb better than pedal reverb?

A: Amplifier reverb is taken into account as more natural and organic, particularly from valve amplifiers however has restricted flexibility. In distinction, most guitar effect pedals produce digital reverb but are thought of as extra versatile for tone shaping and experimenting.

When evaluating amp and pedal reverb it’s necessary to know what kind of amp reverb (analog or digital) you’re comparing, because every one of them has its very own qualities.

Most amps could have single reverb management, which lets you alter the level. In this case, you’ll be able to have the reverb on as little as you want or as high, however, you can’t manage other parameters. Some amps could have a “mode” change which lets you choose between various kinds of reverb.

Q; Do I Need a Reverb Pedal if My Amp Already Has Reverb?

A: So we’ve been through the pros and cons of pedal and amp reverb, however, a few of you should still be questioning if a pedal is worth your funding.

You need to get a reverb pedal if:

  • You’re unhappy with the sound of your amp’s reverb.
  • You need extra versatility and management over the reverb effect.
  • You wish to experiment with utilizing both sorts of reverb together.

Additionally, reverb pedals are normally solely priced if both you’re utilizing a clear signal, you will be using a distortion/overdrive pedal before it, or you’re using your amp’s gain setting and your amp has an effect loop.

In case your amp doesn’t have an effects loop and also you wish to use your amplifier gain, then putting a reverb pedal before it usually is not going to sound nearly as good as simply using your amp’s reverb.

Utilizing Pedal and Amp Reverb Together

That is where we get into the more experimental uses of pedals, which in our view is what pedals are all about! Some players like to use each reverb which is built-in to their amplifier, in addition to a separate reverb pedal.

This works best if:

  • Your amp has an effects loop or you’re using the clear channel only.
  • The amp uses true analog spring reverb as a substitute for digital.

Using each pedal and amplifier reverb at a similar time means that you can create some fascinating effects, and may also create the same effect as utilizing a delay and reverb pedal together, relying on the parameters you set.

Typically, a variety of players prefer to have the amp’s analog spring reverb on a regular basis after which add in some further pedal reverb, a well-liked choice is to make use of the plate-type.

Conclusion on Reverb Pedals

We created a huge listing and we listed every versatile reverb pedal that we could’ve thought of. The very best reverb pedal will give you great reverb trails, and tone control will have a reverb mode selector and will be able to provide support for both live acts and studio-quality sounds.

Reverb sounds depend on many different factors. We listed guitar pedals that we think will not disappoint you and most importantly – you will be able to keep the original sound, yet compliment it with a great reverb tone. In case you are after some compressor pedals, feel free to check them here.

So do not hesitate if you picked a budget reverb pedal or a more expensive one. This is a great start to building your unique pedalboard and being recognizable for the sound you combined. In case you are having any questions in terms of the topic we have here today, please let us know in the comment section below!

Charles Steinhoff

Charles Steinhoff

Charles is here and I am guitar and ukulele enthusiast. Been playing these instruments for over 10 years now and I decided to share some of my knowledge and expertise with the world in terms of these stringed instruments and it's accessories.

Strings Kings
Strings Kings